Inside the L A. Sorority House for Homeless College Students
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Sadly, while we’d never see House on Sorority Row II, we did at least get a middling remake of House on Sorority Row, so that’s something. The girls hide Slater’s body and in an Edgar Allen Poe-esque Telltale Heart evolution, the girls begin to become paranoid all the while dealing with a killing-by-numbers killer who’s out to kill them. House on Sorority Row unfolds with a solid 40+ minutes of torture, mayhem, and murder where Katey, Vicki, Liz, Jeanie, Diane, Morgan, and Stevie ultimately get what’s coming to them. Try as they might, the ghost (?) of Mrs. Slater, or her proxy, will not let them off the hook for their dastardly deed. The House on Sorority Row is 9206 on the JustWatch Daily Streaming Charts today. In the United States, it is currently more popular than The Discoverers but less popular than Crazy on the Outside.
Storyline
Just when you think the girls have gotten away with the murder, something comes along to jeopardize it. Plus, the plot has so many twists and turns that it keeps you engaged and constantly guessing. Admittedly, the movie goes off the rails in the last twenty minutes when the killer’s identity is revealed. Thankfully, Mark Rosman and cinematographer Tim Suhrstedt keep the suspense and tension going as it turns into a cat-and-mouse game. Also, Richard Band’s score is fantastic, adding a surreal, dreamlike quality to the film, enhancing some trippy moments. Though I wouldn’t call this one of the greatest slashers ever, it’s still a well-made and well-acted thriller worth seeing.
‘House’ vs. No House: The Sorority Row Films, Then and Now - PopMatters
‘House’ vs. No House: The Sorority Row Films, Then and Now.
Posted: Mon, 30 Oct 2017 19:30:54 GMT [source]
Movies / TV
Cult UK distributor 88 Films also put out a Region B release with completely different special features. Mrs. Slater (Lois Kelso Hunt) is the matronly house mother for Pi Theta sorority. The lovely girls of Pi Theta are looking to host one last party before leaving college behind. The vivacious Vicki (Eileen Davidson) is their ring leader who butts heads with Mrs. Slater when the elderly woman demands the co-eds call off their party for mysterious reasons. A haunting opening scene hints at deeper psychological problems for Mrs. Slater after a failed pregnancy years ago left her mentally scarred from the trauma. While this is a slasher film, it could almost be seen as a thriller on par with Brian De Palma.
Rated “R” ‘The Little Mermaid’ Horror Movie Coming Soon; Watch the Trailer
The girls, somewhat unbelievably, obtain and gun and force Mrs. Slater to hunt for her cane near the outdoor sorority house pool. Pranks are, of course, only as good as their execution, and Vicki’s coke-addled synapses don’t have the wherewithal to implement the frolicking tomfoolery. The gun goes off and the girls (Katey, Vicki, Liz, Jeanie, Diane, Morgan, and Stevie) inadvertently shoot Mrs. Sleater dead — well maybe.
Partly inspired by the 1955 French film Les Diaboliques, first-time writer-director Rosman wrote the screenplay for the film in 1980, then titled Seven Sisters. The film was shot on location in Pikesville, Maryland in the summer months of 1980, with additional photography taking place in Los Angeles. He worked at Home Depot until he was fired by its “loss prevention” unit for giving his family too many discounts. Today he’s reading about bridge building for his summer internship at the Los Angeles Bureau of Engineering. Fraternity and sorority chapter houses are managed and maintained by established housing corporations that own the properties and take care of major upkeep and repairs.
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The House on Sorority Row (also known as House of Evil in the United Kingdom) is a 1982 American slasher film written and directed by Mark Rosman, produced by John G. Clark, and starring Eileen Davidson and Kathryn McNeil. The plot follows a group of sorority sisters being stalked and murdered during their graduation party after they conceal a fatal prank against their house mother. Sorority Row feels ahead of its decade in how it subverts slasher expectations like women being helpless fawns and men getting away with sleazy behavior as locker room heroes.
Titles like Pieces, Black Christmas, and The Dorm That Dripped Blood get more frequent mentions when discussing pre-90s sorority or dormitory slashers. Remake debates rarely include Sorority Row in their reassessments of unfairly stigmatized 2000s horror revamps based on nostalgia biases (among other reasons). It’s interesting how both seem equally less popular despite their amassed cult followings after meager box office openings. Dropping the surround remix from Scorpion’s limited edition Blu-ray, the theatrical movie version receives adequate 2.0 PCM in stereo.
The House on Sorority Row (MVD) Blu-ray Review
She then uses a pin to stab Eric numerous times and he falls through the attic door to the floor below. Oprah Daily followed several residents through the sometimes rocky, often joyful, always inspiring first year at this very special place. Greek facilities offer affordable housing with below average costs for room and board.
Both films are byproducts of their eras, definable by the celebratory liquor and booze toasts in each iteration. The House on Sorority Row circles its ladies as they jokingly rib but adore one another, while Sorority Row uses the ceremonial pre-game to highlight the problematic bitchiness of its backstabbing, shit-talking characters. Rosman’s adoration of 1955’s Les Diaboliques stresses suspenseful investigations as Katey (Kathryn McNeil) pieces together clues that lead to a jester-dressed manchild under the prude Slater’s (Lois Kelso Hunt) care. Hendler approaches villain stalks more linearly like I Know What You Did Last Summer or Scream, where it’s more about faces in a crowd and the spectacle of 2000s horror era slayings. The original implements morbid hallucinations and psychological unrest, while Summit Entertainment’s remake hacks through bodies without grand conspiracies or further embellishment. In Sorority Row, Meghan (Audrina Patridge) is missing — or that’s what the sisters of Theta Pi want authorities to believe.
The House on Sorority Row Blu-ray - Blu-ray.com
The House on Sorority Row Blu-ray.
Posted: Thu, 24 Apr 2014 07:00:00 GMT [source]
Hendler doesn’t shy away from nudity, introducing Theta Pi with a pajama pillow fight party where a trampoline-hopping attendees’ bare rump flashes to all. There’s more flesh in Sorority Row than I’ve seen in the last three years worth of horror releases, as well as cringey-but-perfect needle drops that again summon a rather 80s attitude of treating horror like this after-midnight party. No one’s shy about their intentions with Sorority Row, as the film achieves a rarer blend of ferocious 2000s slasher intensity while still channeling freer 80s boundaries that loved sex, blood, and rock n’ roll. The lure for MVD’s edition is the director’s preferred re-timed, pre-credits sequence in black and white appended to the film’s opening, though MVD for some reason includes the original monaural soundtrack for that version in lossy quality. It’s also hidden away in the special features menu when it should have been given more prominence. Mark Rosman‘s The House on Sorority Row (1982) and Stewart Hendler‘s Sorority Row (2009) feel shoved aside in their respective horror classes.
Under her face shield, N95 mask, and sunglasses is the face of Jeanne Pritzker, one of the richest women in Los Angeles—a billionaire. Over the last year, she bought a $50,000 imported rug for the main floor, as well as bedding, outdoor furniture, and a painting by the Vietnamese artist Lê Thiét Cuong. She wanted to make sure there would be plenty of clothing available for job interviews and class presentations, so she packed a communal walk-in closet with professional attire for men and women. Despite being a huge fan of Drive, I avoided Only God Forgives for a long time because of its poor critical reception and excessively esoteric presentation.
Chapters who do not have a house can be reached in the Office of Fraternity & Sorority Life. There’s no right or wrong way to engage with art, but there are some films that clearly require more effort from the audience side in order to be effective. And while you can’t blame cinemagoers for just wanting to enjoy some passive entertainment, I think it’s always worth trying to meet a work of art on its own terms before judging it.
In a year full of experiments, the Opportunity House stands out as an audacious attempt to give a chance to people not used to being given anything. This is a portrait of its first academic year, told almost entirely in some of the students’ own words. This story is from the Summer 2021 issue of O Quarterly, available to you as an Oprah Insider. To share more info about becoming an Oprah Insider with your loved ones, click here.
A group of sorority sisters are killed off one by one at a graduation party as a deadly prank they pull comes back to haunt them in The House On Sorority Row. Starring Kate McNeil and Eileen Davidson (The Young and the Restless), the fresh-faced cast of young actresses cheerfully bounce off the elderly house mother they resent for canceling their graduation party. The gleefully fun 1983 slasher by director Mark Rosman doesn’t reinvent the genre but skillfully executes a premise heavily inspired by such films as Black Christmas, Prom Night, and a touch of Diabolique. After a seemingly innocent prank goes horribly wrong, a group of sorority sisters are stalked and murdered one by one in their sorority house while throwing a party to celebrate their graduation. After a seemingly innocent prank goes horribly wrong, a group of sorority sisters are stalked and murdered one by one in their sorority house while throwing a party to celebrate their gradua...
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